Television Writers Take Their Talents to the World Wide Web

When the 2007-2008 strike by the Writers Guild of America began last November, many observers wondered if the slew of unemployed scribes would lead to an onslaught of original web content. Compensation for online product was one of the major issues the strike centered around after all, and the idea of writers embarking onto Internet terrain was not out of the question; the Divided Hollywood blog even reported in mid-December that the WGA was considering launching a website featuring new, original web video created by the union’s members. While at least two workshops were held for interested writers in the Los Angeles area—as well as various blurbs appearing on entertainment websites like TV Squad announcing the project—nothing ever materialized. When the strike ended, it was assumed the plans had died with it.

As it turns out, such assumptions were premature: StrikeTV officially launched on July 4, 2008, with a “coming soon” video clip spotlighting the over forty webseries exclusively produced by Los Angeles-area union members. “Basically, StrikeTV is original content created by Hollywood professionals,” Peter Hyoguchi, a WGA member and conceiver of the project, told Variety. “The content we have ranges from comedy, drama, sci-fi, horror, game shows, soap operas to family films and animation... this is an opportunity for Hollywood professionals to experience and try something new with a very low risk factor.”

The collective resume of StrikeTV contributors is impressive; the “coming soon” clip voice-over mentions writers from The Daily Show, General Hospital, Friends, Frasier, Star Trek, thirtysomething, The L Word, Farscape and The Six Million Dollar Man amongst the lined-up talent. According to Variety, specific projects include Global Warming, starring Kirsten Wiig of Saturday Night Live and The Daily Show’s Aasif Mandvi; House Poor by Office writer/producer Lester Lewis; and The Challenge, written by sitcom veteran Lloyd Garver—who’s credits include Family Ties, Happy Days and Alice—and starring Bob Newhart.

StrikeTV will follow the basic business model of generating revenue through advertising and sponsorships. The initial start-up cost, reportedly less than ten thousand dollars, was paid by Hyoguchi and others, while content creators were responsible for acquiring their own funding for each project. Although the online network does not offer licensing fees for the programming, the writers do retain ownership and copyright control over their projects. Proceeds generated by StrikeTV during the first three months of operation will be donated to the Entertainment Assistance Program of the Actor’s Fund, which supports non-WGA members who were adversely affected by the strike.

Hyoguchi and company are not the only television scribes to use the WGA work stoppage as a catalyst to exploit the World Wide Web as a media outlet. Joss Whedon, creator of Buffy the Vampire Slayer, spent the time developing—with assistance from his two brothers, Jed and Zack, and sister-in-law-to-be Maurissa Tancharoen—a forty minute webseries musical, Dr. Horrible’s Sing-Along Blog. The story of a “low-rent super-villain, the hero who keeps beating him up, and the cute girl from the laundromat he’s too shy to talk to,” the series features Neil Patrick Harris (Dr. Horrible), Nathan Fillion (Captain Hammer) and Felicia Day (Penny) and will likewise premier this month (July 2008), although in a drastically different fashion than StrikeTV. The first of the three installments will be available for viewing on the Dr. Horrible website beginning Tuesday, July 15th, followed by the next two segments on July 17th and 19th. They will only be online, however, for a short period of time—through Sunday, July 20th—before being removed. Plans are currently in the works to then make the project available for download (more than likely for a nominal fee) with a DVD release following at some point thereafter.

“When the strike happened, everything was about making online content,” Whedon recently explained to Matt Roush of TV Guide. “But everything was very overblown. Or underblown. It was either me and my video camera in my backyard or let’s partner up and get millions of dollars. Neither of these things was gonna fit the paradigm that will make me a musical, so I finally decided to do it myself.” He added that the idea “was to show that you can do this (original Internet content) on a very different scale than people are thinking about. I felt like we stretched our dollars just as far as they will go. It’s a pretty extraordinary piece even at the price tag it would cost to normally produce it if you couldn’t call in any favors.”

While Dr. Horrible and the upcoming shows on StrikeTV were all independently funded by their creators, other television writers have found financing for online projects through partnerships with the overabundance of entertainment production companies sprouting up on the Internet landscape. 60Frames, for instance, enlisted Brent Forrester, a consulting producer for The Office, to create Erik the Librarian Mysteries—a webseries about a “reclusive librarian who falls in love with a mysterious stranger”—as one of its initial productions; it was announced last month that Gabe Sachs and Jeff Judah of the CW’s new 90210 spin-off, as well as OZ/Homicide scribe Tom Fontana, have likewise been tapped by 60Frames for new projects.

The O.C. creator Josh Schwartz, meanwhile, is developing an as-of-yet untitled series for the new TheWB.com online network that “takes viewers to the front of the line and behind the soundboard of a fictional Hollywood rock club,” while Seth MacFarlane, the genius behind Family Guy, will be unveiling Seth MacFarlane’s Cavalcade of Cartoon Comedy this fall in conjunction with Google and Media Rights Capital. And Stun Creative, a marketing and production company in Los Angeles, not only has partnered with a group of television writers to create a new webseries but has even cast the actual writers in the acting parts. According to Broadcasting & Cable, The Writers Room—as the show is entitled—takes place in the writers’ room of a fictional late-night talk show and will feature Bruce Kirschbaum (Seinfeld), Ed Crasnick (Curb Your Enthusiasm), Evan Mann (How I Met Your Mother), Jeff Kahn (The Larry Sanders Show) and Rose Abdoo (Gilmore Girls).

On November 8, 2007, just mere days after the strike by the WGA commenced, Entertainment Weekly wrote, “It’ll be interesting to see what 12,000 unemployed screenwriters can do on the Internet.” With the launch of StrikeTV, the premier of a Joss Whedon webseries and scores of other projects by other writers, it looks like the magazine’s question is about to be answered.

July 7, 2008

 

 

ALTERNA-TV.COM ARTICLES OF INTEREST:

The Guild Season Two Review Review of the second season of the award-winning webseries about a group of online gamers who have difficulty adapting to the real world (September 14, 2009).

Dr. Horrible's Sing-Along Blog Webseries Review Review of the Emmy-winning webseries creation from Buffy the Vampire Slayer mastermind Joss Whedon, siblings Jed and Zack, and Jed’s fiancé Maurissa Tancharoen (July 21, 2008).

The Television Will Be Revolutionized, and Vice Versa Book review of The Television Will Be Revolutionized by Amanda Lotz, analyzing her assertions that changes in the industry will result in more creative television content (January 28, 2008).

An Interview with Online Producers Felicia Day and Justin Kownacki The creators of The Guild and Something to Be Desired discuss the current WGA strike and the future of the webseries (December 24, 2007).

The Online Webseries: Cure for the Writers Strike Blues? Article discussing the webseries in general, and shows like Chad Vader, The Guild, quarterlife and Something to Be Desired specifically, while examining how the WGA strike could benefit them (November 12, 2007).

 

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